Museum  February 16, 2018

VMFA Highlights Greek Art for First Time in 20 Years

Courtesy VMFA

Knob-handled Patera, ca. 320 B.C., Greek, attributed to the White Saccos-Chariot Group, terracotta. Virginia Museum of Fine Arts; Adolph D. and Wilkins C. Williams Fund.

VMFA offers first exhibition featuring ancient Greek art in more than 20 years

The Horse in Ancient Greek Art opens February 17, 2018

From myth and legend to warfare, transportation, and sport, the horse was integral to ancient Greek life. This winter, the Virginia Museum of Fine Arts (VMFA) presents The Horse in Ancient Greek Art, a ground-breaking exhibition that explores the Greeks’ fascination with an animal that served as a symbol of wealth, power, and status in ways that are recognizable and familiar even today.

Opening February 17, 2018, and running through July 8, 2018, The Horse in Ancient Greek Art features 78 Greek vases, sculptures, and coins from the 8th through the 4th centuries BC. The objects—some on public view for the first time—are drawn from private collections and museums such as VMFA, the Metropolitan Museum of Art, and the Tampa Museum of Art.

The Horse in Ancient Greek Art, curated by Dr. Peter J. Schertz, VMFA Jack and Mary Frable Curator of Ancient Art, and Nicole Stribling, Curator of Permanent Collections National Sporting Library & Museum (NSLM), is a free exhibition organized by VMFA in partnership with the NSLM in Middleburg, Virginia, which hosted the exhibition from September 9, 2017, through January 14, 2018.

“We are delighted to partner with the National Sporting Library & Museum on this exhibition,” said Alex Nyerges, VMFA Director. “VMFA has a renowned collection of Greek vases, and this collaboration provides an excellent opportunity to showcase these works while shedding new light on the ancient world through the relatable and recognizable figure of the horse.”

The exhibition begins with early images of horses on objects from the Geometric Period (ca. 900–700 BC), named for the geometric patterns and intricate designs found on artwork of the era. From there, objects dating to the Archaic through the Classical Periods (ca. 700–323 BC) are organized by key subjects. Myth and legend are illustrated with fantastical horses and horse-hybrids, such as Pegasos, the famous winged horse, as well as satyrs and centaurs, two creatures that combined human and equine elements. The horse in war is depicted in scenes of ancient cavalry and chariots, as well as hunting, which was considered good training for both war and competitive events. The practice of horse care is explored through images of grooms tending their charges and examples of ancient tack. Finally, vases and coins showing equestrian sports, including chariot racing, reveal the significance of competition in the ancient Greek world and highlight the skills and accomplishments of ancient equestrians.

“The horse in ancient Greek art has rarely been addressed in museum exhibitions, and the institutional strengths of our two museums—sporting art at NSLM and ancient art at VMFA—perfectly complemented each other for this project,” said Dr. Schertz. “Loans from private collectors and other institutions, combined with objects from VMFA, provided a unique opportunity to explore this topic in a way that also expanded our understanding of these works of art.

In-Gallery Activities
In-Gallery activites will allow visitors to further engage with ancient Greek art and culture. Students from Virginia Commonwealth University (VCU) worked with VMFA staff to create animations exploring equine imagery in art and the function of decorated vases in Greek society. One group of students in Pamela Turner’s VCUarts Kinetic Imaging class explored different Greek myths that feature horses in their videos while a second group created a 360-degree animation that puts the viewer inside a Greek symposium populated by horses. All the animations can be viewed on touch screens in the gallery or online.

A hands-on activity in the gallery encourages visitors to explore black and red-figure vase techniques. Another part of the exhibition includes poems by Virginia poet Ron Smith and notebooks where visitors can record their own poems, thoughts, and inspirations from the exhibition – just as ancient symposiasts were inspired by decorated vases.

The Catalogue
A fully illustrated exhibition catalogue features essays by notable scholars of ancient Greek art and archaeology: Seán Hemingway, Curator, Greek and Roman Art, The Metropolitan Museum of Art; Carol Mattusch, Mathy Professor Emerita of Art History, George Mason University; John Oakley, Chancellor Professor and Forrest D. Murden, Jr. Professor of Classical Studies, The College of William & Mary; Seth D. Pevnick, Chief Curator and Richard E. Perry Curator of Greek and Roman Art, Tampa Museum of Art; and exhibition co-curators Nicole Stribling, Curator of Permanent Collections, National Sporting Library & Museum, and Dr. Peter J. Schertz, Jack and Mary Ann Frable Curator of Ancient Art, Virginia Museum of Fine Arts. Published by the National Sporting Library & Museum in partnership with Virginia Museum of Fine Arts and distributed by Yale University Press.

Sponsorship
Sponsors for the exhibition at VMFA are Dr. and Mrs. William J. Frable, Lilli and William Beyer, The Manuel and Carol Loupassi Foundation, Michael and Ann Beall, Mr. and Mrs. Alan I. Kirshner, Climis and Carol Lascaris, and Patricia R. St. Clair.