8 Bizarre Facts About Salvador Dalí

Throughout his life, Dalí reflected on his relationship with his brother, even saying once, "[We] resembled each other like two drops of water, but we had different reflections." He "was probably a first version of myself, but conceived too much in the absolute."

He explored this concept of double identity in Portrait of My Dead Brother in 1963, which features an image of a young man—meant to be his brother—created from cherries. The artist described the work for an exhibition: “The Vulture, according to the Egyptians and Freud, represents my mother’s portrait. The cherries represent the molecules, the dark cherries create the visage of my dead brother, the sun-lighted cherries create the image of Salvador living thus repeating the great myth of the Dioscures Castor and Pollux.”

2. Dalí was expelled from the same art school twice

Though Salvador Dalí proved to be an exceptionally gifted artist, he wasn’t always a gifted student. He was expelled from the Real Academia de Bellas Artes de San Fernando in 1923 for participating in a student protest when painter Daniel Vázquez Díaz was passed over for a professorship. When he returned later to the same school, he was expelled again in 1926 because he said the professors who were slated to give him his final oral examinations were incompetent.

He even wrote later in his autobiography, “I am infinitely more intelligent than these three professors, and I therefore refuse to be examined by them. I know this subject much too well.”

3. The artist’s work was influenced by Sigmund Freud’s theories

Viewers of Dalí’s paintings will not be surprised to learn he was a fan of Sigmund Freud’s work on the subconscious. Dalí read the famed psychoanalyst's book, The Interpretation of Dreams while in art school and was inspired to use the concept of self-interpretation in his own creative work.

4. He even showed his work to Freud

In 1938, Dalí was able to meet Freud in London, where he showed the psychoanalyst an article he wrote on paranoia and his painting, Metamorphosis of Narcissus (1937), the first work he created entirely from his “paranoiac-critical method.”

Though Freud had not been a fan of Surrealism, Freud wrote after the visit that the artist was an “undoubtedly perfect technical master.”

5. Dalí made himself hallucinate to access the subconscious

Though hallucinations are often linked to drug-use, Dalí didn’t use drugs. Instead, he developed a method of accessing his subconscious, which he called the “Paranoiac-Critical” method. In order to create a dreamlike state, he would sometimes stare at objects until they appeared to transform into other forms, bringing on hallucinations that influenced his art.

6. Dalí’s obsession with dictators got him kicked out of the Surrealist movement.

While many of the other artists in the Surrealist movement self-identified as Marxists, Dalí harbored a passion for dictators. Not only did he depict Vladimir Lenin in The Enigma of William Tell (1933) and refuse to denounce Spanish dictator Francisco Franco, who he met several times, but he also had a sexual fascination with Hitler that led André Breton to order Dalí’s removal from the Surrealist movement.

Breton wrote, “Dalí having been found guilty on several occasions of counterrevolutionary actions involving the glorification of Hitlerian fascism, the undersigned propose that he be excluded from surrealism as a fascist element and combated by all available means.”

7. Dalí worked with Alfred Hitchcock and Walt Disney

Famed director Alfred Hitchcock asked Dalí to help create paintings for the dream sequences in his 1945 film, Spellbound, which starred Gregory Peck and Ingrid Bergman. The paintings were also included in the plot as clues to one of the characters’ psychological problems.

The artist also worked with John Hench, a Disney designer in 1946 on an animated movie called Destino. For the film, Dalí completed twenty-two oil paintings and drawings, which became storyboards. Though the film was unfinished due to budgetary constraints, it was later released as a six-minute short in 2003.

8. Dalí took commercial commissions

Though many artists look down on commercial work, Dali was not one of them. Throughout his long career, the artist created magazine covers for Vogue and Town and Country, the logo for Chupa Chups lollipops, and ads for major brands, such as De Beers, S.C. Johnson & Company, Gap, and Datsun. He even worked as a spokesperson for companies like Alka-Seltzer and Lanvin, a French chocolate company.

André Breton mocked the artist for his commercial work, calling him “Avida Dollars,” which meant “eager for dollars."