About The Artist
Camille Pissarro (1830-1903) was a Danish-French Impressionist and Neo-Impressionist painter, born on the island of St. Thomas, then part of the Danish West Indies. A pivotal figure in the development of Impressionism, Pissarro's career spanned over six decades. His early works, such as "The Côte d...
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Affordable Art 101 offers an outstanding selection of works on paper by the great artists, ranging from the Old Masters to Modern Art and Pop Art, at affordable prices well within the budget of the average collector. In business since 2005, we specialize strictly in prints: etchings, lithographs, silkscreens, aquatints, mezzotints and woodcuts. 
Artist: Camille Pissarro
Price:
$2,015.00
Medium: Printmaking
Ship From Henderson, NV
More Details
Creation Date: 1890
Materials: Japon paper.
Dimensions: 8" x 6" x 1"
Condition: Condition: there is some slight discoloration in the margin from having been previously framed.
Finish: Unframed
About the Item: Medium: original etching and drypoint. This rare and beautiful impression on japon paper is one of only 50 printed for the deluxe edition of the Gazette des Beaux Arts. Published in Paris in 1890, this Pissarro etching is printed in brown ink, rather than the typical black ink. Catalogue reference: Delteil 93. A fine impression with plate tone, measuring 7 3/4 x 5 1/4 inches -- 198 x 135mm (plate size) with full original margins. Not signed.
Condition: there is some slight discoloration in the margin from having been previously framed.
Condition: there is some slight discoloration in the margin from having been previously framed.
About The Artist
Camille Pissarro (1830-1903) was a Danish-French Impressionist and Neo-Impressionist painter, born on the island of St. Thomas, then part of the Danish West Indies. A pivotal figure in the development of Impressionism, Pissarro's career spanned over six decades. His early works, such as "The Côte des Bœufs, near Pontoise" (1877), reflected the Impressionist style with its loose brushstrokes and emphasis on light. Later, he collaborated with Georges Seurat and Paul Signac, adopting a Neo-Impressionist technique known as Pointillism or Divisionism, as seen in "Hay Harvest at Éragny" (1889). Pissarro's commitment to the movement and his influence on artists like Paul Cézanne and Paul Gauguin solidify his legacy as a pioneering force in the evolution of modern art.
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