This work is made after the art of Georges-Henri Rouault (May 27, 1871-February 13, 1958). Rouault was a French painter, draftsman, and printmaker whose work is often associated with Fauvism and Expressionism. In 1885, Rouault apprenticed as a glass painter and restorer, which lasted until 1890. This early experience as a glass painter has been suggested as a likely source of the heavy black contouring and glowing colors likened to leaded glass, which characterize Rouault's mature painting style. In 1891, he entered the Ecole des Beaux-Arts. There he studied under Gustave Moreau, becoming his favorite pupil. Rouault's early work shows a symbolism which reflects Moreau's influence. Between 1895 and 1898, the artist became a devout Roman Catholic as well as going through and emotional breakdown. He came out of this revitalized, moralistic, and religious. He was influenced by Fauvism, meeting Matisse, Marquet, Manguin, and Camoin. In 1905, he exhibited his paintings at the Salon d'Automne with the other Fauvists. The artist's use of stark contrast and emotionality is influenced by Vincent van Gogh. He also inspired the expressionist painters with his overemphasized grotesque personalities. In 1907, Rouault began a series of paintings dedicated to courts, clowns, and prostitutes. He became attracted to Spiritualism and dedicated himself to religious subjects, particularly the image of Christ. From 1917, Rouault dedicated himself to painting. He was perhaps the most passionate Christian artist of the 20th century. Rouault died in Paris at the age of 86. His works are in the collections of the Carnegie Museum of Art in Pittsburgh the Musee d'Orsay in Paris, the Hermitage Museum in St. Petersburg, and the Tate Gallery in London, among others.