About The Artist
Joan Miró i Ferrà, a Spanish painter, sculptor, and ceramist born in Barcelona in 1893, was known professionally as Joan Miró. He gained international recognition for his work, which is often seen as Surrealist but with a unique style that occasionally leaned towards Fauvism and Expressionism. Mi...
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Affordable Art 101 offers an outstanding selection of works on paper by the great artists, ranging from the Old Masters to Modern Art and Pop Art, at affordable prices well within the budget of the average collector. In business since 2005, we specialize strictly in prints: etchings, lithographs, silkscreens, aquatints, mezzotints and woodcuts. 
Artist: Joan Miró
Price:
$665.00
Medium: Printmaking
Ship From Henderson, NV
More Details
Creation Date: 1957
Materials: Original lithograph
Dimensions: 13" x 10" x 1"
Condition: Condition: there are bumps to two corners of the sheet.
Finish: Unframed
About the Item: Original lithograph. Catalogue reference: Mourlot 244. This charming Miro lithograph was printed by Mourlot for XXe Siecle in 1957 for issue number 8 "Art et humour au XXe Siecle" and published in Paris by San Lazzaro. Size: 12 3/8 x 9 1/2 inches (315 x 243 mm). In 1960 XXe Siecle published a reproduction of a similar (but not identical) composition, not to be confused with this, the original lithograph. Not signed.
Condition: there are bumps to two corners of the sheet.
Condition: there are bumps to two corners of the sheet.
About The Artist
Joan Miró i Ferrà, a Spanish painter, sculptor, and ceramist born in Barcelona in 1893, was known professionally as Joan Miró. He gained international recognition for his work, which is often seen as Surrealist but with a unique style that occasionally leaned towards Fauvism and Expressionism. Miró was known for his interest in the unconscious mind, evident in his childlike art, and his works often reflected his Catalan heritage. Throughout his career, Miró openly criticized traditional painting methods, which he believed supported bourgeois society, and he famously called for an "assassination of painting" to challenge conventional visual elements.
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