About The Artist
Joan Miró i Ferrà, a Spanish painter, sculptor, and ceramist born in Barcelona in 1893, was known professionally as Joan Miró. He gained international recognition for his work, which is often seen as Surrealist but with a unique style that occasionally leaned towards Fauvism and Expressionism. Mi...
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Affordable Art 101 offers an outstanding selection of works on paper by the great artists, ranging from the Old Masters to Modern Art and Pop Art, at affordable prices well within the budget of the average collector. In business since 2005, we specialize strictly in prints: etchings, lithographs, silkscreens, aquatints, mezzotints and woodcuts. 
Artist: Joan Miró
Price:
$615.00
Medium: Printmaking
Ship From Henderson, NV
More Details
Creation Date: 1947
Materials: Original pochoir stencil print in four colors
Dimensions: 11" x 9" x 1"
Condition: Condition: there is foxing, wear and soiling to the paper.
Finish: Unframed
About the Item: Medium: original pochoir stencil print in four colors. Catalogue reference: Dupin 50. Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for the rare portfolio "The Prints of Joan Miro". The English title of this work is "Woman and Birds in the Night". The publisher's inscription is printed on verso. Size: 11 x 8 1/2 inches (278 x 214 mm). Not signed.
Condition: there is foxing, wear and soiling to the paper.
Condition: there is foxing, wear and soiling to the paper.
About The Artist
Joan Miró i Ferrà, a Spanish painter, sculptor, and ceramist born in Barcelona in 1893, was known professionally as Joan Miró. He gained international recognition for his work, which is often seen as Surrealist but with a unique style that occasionally leaned towards Fauvism and Expressionism. Miró was known for his interest in the unconscious mind, evident in his childlike art, and his works often reflected his Catalan heritage. Throughout his career, Miró openly criticized traditional painting methods, which he believed supported bourgeois society, and he famously called for an "assassination of painting" to challenge conventional visual elements.
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