Continuity #1
Ibram Lassaw
Continuity #1
Artist: Ibram Lassaw
Medium: Prints
Price:
$777.78
Gallery:
Cerbera Gallery
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Details
Creation Date: 1971
Materials: Screenprint
**Black wooden frame with museum glass (anti-reflective / AR). Could ship without frame. Please inquire.
Dimensions: 27" x 33" x 1"
Condition: **Condition: Good; image intact, deep colors. No tearing, soiling, staining or creasing.
Finish: Framed
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About the Item
Ibram Lassaw
Continuity #1
1971
Screenprint
Visible: 19.5 x 25.5 inches
Framed: 27 x 32.5 x 1 inches
Edition: 100
Signed, titled, dated and numbered in pencil along lower edge
COA provided
**Black wooden frame with museum glass (anti-reflective / AR). Could ship without frame. Please inquire.
**Condition: Good; image intact, deep colors. No tearing, soiling, staining or creasing.
Tags: #IbramLassaw, #LassawSculpture, #AbstractSculpture, #WeldedArt, #ModernistSculpture, #AbstractExpressionism, #NewYorkSchool, #MetalSculpture, #ArtInMetal, #20thCenturyArt, #AmericanAbstractArtists, #ArtHistory, #AvantGardeArt, #SculpturalAbstraction, #ContemporarySculpture, #ArtInnovation, #OpenSpaceArt, #LongIslandArtists, #MidCenturyArt
Ibram Lassaw (1913–2003) was born in Alexandria, Egypt, to Russian émigré parents and moved to the U.S. in 1921, settling in Brooklyn, New York. He studied sculpture at the Clay Club and Beaux-Arts Institute of Design, influenced by artists like Kandinsky and Sophie Taeuber-Arp. Lassaw began making abstract sculptures in the late 1920s, replacing the traditional solidity of cast metal with open-space constructions through welding. He was a founding member of the American Abstract Artists group in 1937 and served as its president from 1946 to 1949.
In the 1940s and 1950s, Lassaw was part of the New York School of Abstract Expressionism, alongside artists such as Jackson Pollock and Willem de Kooning. He spent summers on Long Island from 1955 before moving there permanently in 1963. His work has been exhibited in various galleries, including the Anita Shapolsky Gallery in New York City and the Harmon Meek Gallery in Naples, Florida.
Continuity #1
1971
Screenprint
Visible: 19.5 x 25.5 inches
Framed: 27 x 32.5 x 1 inches
Edition: 100
Signed, titled, dated and numbered in pencil along lower edge
COA provided
**Black wooden frame with museum glass (anti-reflective / AR). Could ship without frame. Please inquire.
**Condition: Good; image intact, deep colors. No tearing, soiling, staining or creasing.
Tags: #IbramLassaw, #LassawSculpture, #AbstractSculpture, #WeldedArt, #ModernistSculpture, #AbstractExpressionism, #NewYorkSchool, #MetalSculpture, #ArtInMetal, #20thCenturyArt, #AmericanAbstractArtists, #ArtHistory, #AvantGardeArt, #SculpturalAbstraction, #ContemporarySculpture, #ArtInnovation, #OpenSpaceArt, #LongIslandArtists, #MidCenturyArt
Ibram Lassaw (1913–2003) was born in Alexandria, Egypt, to Russian émigré parents and moved to the U.S. in 1921, settling in Brooklyn, New York. He studied sculpture at the Clay Club and Beaux-Arts Institute of Design, influenced by artists like Kandinsky and Sophie Taeuber-Arp. Lassaw began making abstract sculptures in the late 1920s, replacing the traditional solidity of cast metal with open-space constructions through welding. He was a founding member of the American Abstract Artists group in 1937 and served as its president from 1946 to 1949.
In the 1940s and 1950s, Lassaw was part of the New York School of Abstract Expressionism, alongside artists such as Jackson Pollock and Willem de Kooning. He spent summers on Long Island from 1955 before moving there permanently in 1963. His work has been exhibited in various galleries, including the Anita Shapolsky Gallery in New York City and the Harmon Meek Gallery in Naples, Florida.
About the Artist
Ibram Lassaw
Ibram Lassaw (1913–2003) was born in Alexandria, Egypt, to Russian émigré parents and moved to the U.S. in 1921, settling in Brooklyn, New York. He studied sculpture at the Clay Club and Beaux-Arts Institute of Design, influenced by artists like Kandinsky and Sophie Taeuber-Arp. Lassaw began making abstract sculptures in the late 1920s, replacing the traditional solidity of cast metal with open-space constructions through welding. He was a founding member of the American Abstract Artists group in 1937 and served as its president from 1946 to 1949.
In the 1940s and 1950s, Lassaw was part of the New York School of Abstract Expressionism, alongside artists such as Jackson Pollock and Willem de Kooning. He spent summers on Long Island from 1955 before moving there permanently in 1963. His work has been exhibited in various galleries, including the Anita Shapolsky Gallery in New York City and the Harmon Meek Gallery in Naples, Florida.
Tags: #IbramLassaw, #LassawSculpture, #AbstractSculpture, #WeldedArt, #ModernistSculpture, #AbstractExpressionism, #NewYorkSchool, #MetalSculpture, #ArtInMetal, #20thCenturyArt, #AmericanAbstractArtists, #ArtHistory, #AvantGardeArt, #SculpturalAbstraction, #ContemporarySculpture, #ArtInnovation, #OpenSpaceArt, #LongIslandArtists, #MidCenturyArt
In the 1940s and 1950s, Lassaw was part of the New York School of Abstract Expressionism, alongside artists such as Jackson Pollock and Willem de Kooning. He spent summers on Long Island from 1955 before moving there permanently in 1963. His work has been exhibited in various galleries, including the Anita Shapolsky Gallery in New York City and the Harmon Meek Gallery in Naples, Florida.
Tags: #IbramLassaw, #LassawSculpture, #AbstractSculpture, #WeldedArt, #ModernistSculpture, #AbstractExpressionism, #NewYorkSchool, #MetalSculpture, #ArtInMetal, #20thCenturyArt, #AmericanAbstractArtists, #ArtHistory, #AvantGardeArt, #SculpturalAbstraction, #ContemporarySculpture, #ArtInnovation, #OpenSpaceArt, #LongIslandArtists, #MidCenturyArt
About the Gallery
Cerbera Gallery
Cerbera Gallery takes pride in showcasing many local artists, in addition to nationally and internationally renowned works; both primary and secondary market art. What has put Cerbera in the spotlight is a unique presentation and curatorial extravagance spanning all levels of artist maturity and price and offering mediums such as Editions & Prints, Paintings, Drawings, Photography, Functional and Sculptural Ceramics, as well as Mixed Media and selected Jewelry.
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