Elizabeth Murray (b. 1940, Chicago; d. 2007, New York) belonged to a generation of artists who emerged in the 1970s and whose exposure to Cubist-derived Minimalism and Surrealist-influenced Pop inspired experimentation with new modes of expression that would bridge the gap between these two historical models. In this context, Murray produced a singularly innovative body of work. Warping, twisting, and knotting her constructed canvases, she has given the elastic shapes of classic surrealism a space in their own image.