The Salem Witch Trials 1692 presents rarely-exhibited documents and objects from the museum’s collection to reveal tragic, true stories told through the perspective of the accused and the accusers.
Primarily making intimate oil-on-panel works, Toor expands the tradition of figurative painting by melding sketch-like immediacy with disarming detail to create affecting views of young, queer Brown men living in New York City and South Asia.
She was one of the leading female painters of her generation and the most important Swiss female portrait artist of the early modern era. Her name: Ottilie W. Roederstein.
Engineer, Agitator, Constructor will showcase the activities of historical avant-gardes, including galvanizing works of Dada, Bauhaus, De Stijl, Futurism, and Russian Constructivism, and highlights such figures as Aleksandr Rodchenko, Lyubov Popova, John Heartfield, and Hannah Höch.
Drawn from the Portland Art Museum’s permanent collection and important private collections, this exhibition of the the Joryū Hanga Kyōkai unearths a critical, dynamic, and understudied episode of modern printmaking history.
The Menil Collection is pleased to present Silent Revolutions: Italian Drawings from the Twentieth Century, the first large-scale survey of twentieth-century Italian drawings mounted in the United States.
Revisiting America: The Prints of Currier & Ives explores how the largest printmaking company in nineteenth-century America visualized the nation’s social, political, and industrial fabric.
Featuring more than 50 individual works spanning 200 years by both European and American artists, the exhibition will feature some of the most revered names in art history, including Paul Cézanne, Edvard Munch, Paul Klee, Louise Nevelson, Robert Rauschenberg, and many others.
DRIVES is South African artist Jo Ractliffe’s first-ever retrospective, featuring more than 100 works of photography, video, book art, and multimedia installation.
