This summer, the Dallas Museum of Art (DMA) debuts a selection of recently acquired contemporary and decorative art works in Contemporary Art + Design: New Acquisitions.
The exhibition brings together the work of four contemporary photographers—Elliott Jerome Brown, Jr. (American, born 1993), Esther Hovers (Dutch, born 1991), Dionne Lee (American, born 1988), and Guanyu Xu (Chinese, born 1993)—who all work with and critique new practices in photography.
This fall, the Peabody Essex Museum (PEM) goes behind the seams to reveal the often-overlooked contributions of women in the fashion world with its headlining exhibition, Made It: The Women Who
In the new special exhibition, Color Riot! How Color Changed Navajo Textiles, individualism and a flair for experimentation of Navajo weavers are vividly expressed in textiles from the late nineteenth century and early twentieth century to today.
Ulay had already begun working with the curators on this major survey before he passed away in March 2020. While the works that Ulay made with Marina Abramović are iconic, ULAY WAS HERE shows that he had an impressive solo oeuvre, both before and after their twelve-year collaboration.
Palazzo Grassi, the contemporary art museum of the Pinault Collection in Venice, is hosting the exhibition Henri Cartier-Bresson: Le Grand Jeu, co-organized with the Bibliothèque National de France and the Fondation Henri Cartier-Bresson.
Working Together is an unprecedented exhibition that chronicles the formative years of the Kamoinge Workshop, a collective of Black photographers established in New York City in 1963.
The Salem Witch Trials 1692 presents rarely-exhibited documents and objects from the museum’s collection to reveal tragic, true stories told through the perspective of the accused and the accusers.
