As part of their ongoing contemporary art series, this month the Denver Art Museum (DAM) debuts Eyes On: Julie Buffalohead, showcasing the work of the Minnesota-based artist and citizen of the Ponca Tribe of Oklahoma. Curator of Native Arts John Lukavic calls Buffalohead’s new body of work “exceptional,” saying the work connects people with “tribally specific narratives that are culture-bound, emotional, and sometimes evocative.”
Brooklyn polymath, Erik Zajaceskowski, has been making his imprint on the borough’s art and nightlife scenes for nearly two decades. Zajaceskowski and friends launched Mighty Robot, an illegal art and party loft, during Williamsburg’s cultural heydey in the late 1990s. During that time, he forged many connections that remain essential to his art making and curating. Mighty Robot eventually became Secret Project Robot, Zajaceskowski and Rachel Nelson’s acclaimed Bushwick performance space, music venue, and gallery.
This summer in Chicago, public art is being used as a call to action. Fifty-one 6 foot lighthouse sculptures that have been decorated by national and local Chicago artists, many with disabilities, are now on display on North Michigan Avenue, Chicago’s Magnificent Mile.
Bonhams offered a number of high-quality furnishings, accessories, and art for their Home and Interiors Auction this morning. The total sale was £747,950, or $983,239 USD. Sets of silver candelabra from the Painted Hall in Greenwich were a highlight of the Auction. Commissioned in 1939, bearing the monogram of reigning monarch George VI, the meticulously cleaned and restored candelabra add elegance and grandeur to their surroundings.
This month the San Francisco Museum of Modern Art (SFMOMA) presents the first west coast retrospective of award-winning documentary photographer Susan Meiselas. Mediations, which was first exhibited in Barcelona and Paris, is accompanied by a book of the same title. Known for her work in conflict zones and in documenting human rights abuses, Meiselas has been a member of Magnum Photos, an international cooperative of photographers, since the 1970s.
In a new exhibition, the Museum of Modern Art (MoMA) showcases their collected works of Constantin Brancusi, one of the most influential sculptors of the 20th Century. The exhibition includes eleven sculptures, shown together for the first time, as well as drawings, photographs, and films, some of which Brancusi made in his studio with his friend Man Ray. Rare archival material illuminates the artist’s process and many of Brancusi’s relationships with friends, patrons, models, and museums.
On June 29, the collaborative project Condo, which invites galleries to stage exhibitions outside their home city, opened its second New York iteration. Founded in London in 2016, Condo has since expanded to host cities across the world, including Mexico City, Shanghai, and São Paulo. This year’s New York roster of 47 galleries across 21 spaces is similarly international, engaging participants from Cairo to Dubai to Auckland with particularly robust domestic and Western European representation.
This week the Museum of Modern Art debuted the first major US exhibition devoted to the architecture of Yugoslavia. Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980, uses over 400 objects related to architecture and design to examine this critical period in the nation's history.
An array of optical illusions, trompe l’oeil, and hyperrealism are on display in Chicago Works: Mika Horibuchi, now at the MCA Chicago. Horibuchi’s work plays with the nature of reality, upending viewers expectations. One of her pieces references an ambiguous 19th Century duck/rabbit illustration; her deceptively simple painting could be either a bunny or a duckling in repose, depending on the viewer's perception.
Phillips Auction House has a new exhibition this summer that brings together fashion, art, culture, and charity. Curated by Elizabeth Semmelhack, Senior Curator at the Bata Shoe Museum in Toronto, Tongue + Chic features shoes designed by some of today’s most important artists, including KAWS, Kehinde Wiley, Jenny Holzer, Damien Hirst and Takashi Murakami. Borrowed from private collections and museums, the objects on display show that shoes are a blank canvas with unlimited potential for expression.