Currently on view at the Seattle Art Museum, three garments from Jono Vaughan’s ongoing series "Project 42" combine beautifully crafted, often elaborate clothing with performance art in a passionate, bittersweet memorial for murdered transgender individuals. Created to raise awareness of the violence faced by transgender people, the artist plans to create 42 of these memorials, referencing the shorter average lifespans of transgender people.
Sotheby’s recent auction, "A Beautiful Life: Photographs from the Collection of Leland Hirsch," presented fifty striking photos from Hirsch’s private collection. Richard Avedon’s iconic "Dovima with Elephants" led the auction, selling for $375,500, one of the highest prices of the season.
Rhona Hoffman Gallery opens its new location at 1711 West Chicago Avenue with Judy Ledgerwood’s fifth solo gallery exhibition "Far From the Tree." Featuring bright colors and repetitive patterns inspired by quilting and other decorative arts, Ledgerwood subverts the viewer’s expectations of abstract painting with unexpected color combinations and tactile globs of paint that bleed from one section into another.
“Then They Came for Me: Incarceration of Japanese Americans during World War II” at the International Center of Photography in New York City is a documentary exposé on a seldom-acknowledged history of American paranoia and racism: it examines the wartime internment of thousands of Japanese-Americans during the Second World War.
The FotoFest Biennial, an international platform for photographic and new media art, is known for discovering and presenting hot new talent from around the world. The Biennial is a citywide production, with Houston's leading art museums, art galleries, non-profit art spaces, universities and civic spaces all involved. This year’s festival theme is INDIA, with attendees coming from 34 countries, and artists from India and the global Indian diaspora representing the identities of their homeland.
Opening this week at Pace Gallery, is the gallery’s first New York showing of the artist Yto Barrada. “How to Do Nothing with Nobody All Alone by Yourself” is no simple gallery show, either. Spanning three floors of Pace’s 32 East 57 Street location, Barrada’s diverse practice and body of work is fully represented in this survey. Featuring collages, a diverse range of sculptures, dyed and sewn fabric compositions, prints, and films, the exhibition is far-reaching.
“Tarsila do Amaral: Inventing Modern Art in Brazil” is currently on view at the Museum of Modern Art and is the first exhibition of the artist’s work in the U.S. Viewers are immediately introduced to Tarsila (1886–1973) via her cubist education. Indeed, it is important that Tarsila’s career be seen with the understanding that she benefited from extensive European modernist training and mentorship.
Sotheby’s recent American Art auction included works by seven important female artists in a range of styles from classical sculpture to cubism and folk art. Self-taught artist Anna Mary Robertson Moses, known as “Grandma Moses,” painted "Hurrah for Christmas," one of the highlights of the auction. An autumnal success story, Grandma Moses didn't start painting until 75, becoming one of the most famous folk artists of the 20th century.
The North Carolina Museum of Art (NCMA) is the latest institution to acquire one of Yayoi Kusama's hugely popular mirrored infinity rooms. Light of Life, 2018, is a seven feet square hexagonal box with three portholes that allow visitors to peer inside. LED lights in changing colors and flickering patterns put on a two-minute show that is reflected infinitely through the mirrors.